Good Morning Everyone!
This is my very first post. Exciting huh? I know I’m all a twitter.
Truthfully I don’t know what to write here that would or could be significant for as was once written in Calvin & Hobbes, “I AM SIGNIFICANT…..screamed the tiny dust speck.” So with that in mind, I will write about what interests me and that would be everything. Music, movies, books, comics, technology, video games. Some will be discussed as a singularity, others as a amalgamation of sorts(my favorite kind). Particularly as October 23rd comes closer, comments concerning the band Coheed and Cambria and their new album No World For Tomorrow. Coheed and Cambria’s fourth studio album, The Amory Wars finishes the story of the Kilgannon clan.
The promotional method for the newest and last album in the series takes full advantage of New Media by creating a grassroots campaign. It all began with a bulletin from the band that only “friends” could see. This bulletin let fans know about a website for the new album, a website with a countdown and a picture of the Keywork.

Without getting too offtrack on the mythology of the story, for those that know what the Keywork is and what has happened to the Kilgannon clan – the notion that their story is coming to an end is both heartbreaking and exciting. Back to the campaign – as the countdown clock reaches zero, typically on a Monday around 5pm-ish, a new message is post from the band. From art to be included with the album, a first glimpse at the music video for the first single, and even a message from the band – everything is controlled by the band with their audience in mind. Though the communication is strictly one-way at this point, the way in which they are communicating makes the final album more than a release, but an event. Thus far, no posters have been displayed, ads have no appeared on multiple channels, it has only been the foot soldiers in the war spreading the message of The Crowing, the nickname for the main character and sole-surviving member of the Kilgannon family, Claudio.
This bring us to this week’s reading….
We The Media: Grassroots Journalism By The People, For The People by Dan Gillmor discuses the innovative nature of New Media. Gillmor suggests that the increase in available technology and the ease with which individuals are beginning to utilize New Media, the structure of standard communication and journalism is changing. From SMS, RSS, blogs, and email to cell phones, digital cameras and Peer-to-Peer sites, the way people communicate is changing and at rapid speeds.
In 2004, the time of the original publishing of We The Media, most cell phones didn’t feature cameras, or if they did the quality was terrible, but like the emergence of the cell phone itself, simply having the featuring was stunning enough. So now when Gillmor discusses the implications of a phone with digital quality photography available and the threats to security of regular individuals, I only think of what is going on now with the Disney starlite, Vanessa Hudgens. Private photos taken from a cellphone have traveled around the world and possibly jeopardized a young actresses future. This, however, is the truth of the world we live in where access to information is everywhere and at the click of a button can go anywhere.
In a later reading, Gillmor discusses the power of blogs to communicate a message. Gillmor discussed the power of individual people as they come together in pursuit of information and communication with the example of Howard Dean. Of all the factors that powered Dean’s rise to the forefront of the 2004 Presidential Election, Dean’s use of the website Meetup gave voice to many people who came believe in his message for the future. Though Dean would become a joke to many, his use of the internet as a sophisticated networking tool would not be lost.
Though grassroots campaigns were often run by the few, the internet has given the few a microphone to share their thoughts without fear of being shutdown and allowed others from around the world to join on the discussion. Clearly the members of Coheed and Cambria understand this in the way they have embraced the new paradigm of communication. By communicating directly with the audience, sending “personal” messages through Myspace and the NWFT website which, until recently, was mostly concealed to the general public, the band has given fans a deeper connection to the music and increased the bond between fan and musician more than any record label’s PR blitz ever could.
The power is not just in the message, but in the way the message is delivered. Gillmor, I believe, would agree.